How Much Of Petipa Has Survived In Petipa’s Ballets?

“This year, like every other, the big ballet spring season brings to America… a series of 19th-century classics almost all attributed chiefly or partly to the choreographer Marius Petipa (1818-1910). The list is short. It varies little. Yet most of these ballets, as staged today, are laden with cliché; and much of what now bears the Petipa brand name has actually been rechoreographed by his successors.”

Regifting Is Officially OK (Research Says So!)

“Regifting is often presented as synonymous with tackiness, but the taboo on the practice is partly the result of a misunderstanding: Recipients of gifts think the givers are far more offended by regifting than they truly are. Givers assume that they’ve passed on ‘title’ to the gift and that recipients can do what they wish with it. Receivers, meanwhile, feel constrained by the giver’s original wishes.”

New Art Is Gradually Becoming Less Appropriate(d)

Artists who appropriate images (those not in the public domain) have been facing ever-increasing legal headaches. (Exhibit A: Shepard Fairey.) Appropriators often cite the work of Robert Rauschenberg, Andy Warhol and Jeff Koons as justification. It turns out that those artists may have begun as copyright outlaws, but they ultimately decided that securing rights was more than worth the trouble.

Futuro: The House Design That Really Did Look Like A (1960s) Spaceship

“Before the recession and the return of architectural probity, the phrase ‘like an alien spaceship’ was all over architecture journalism like a cheap suit. … Frank Gehry? Future Systems? Zaha Hadid? Yep, spaceship-mongers. Well there’s only one building where that simile is inescapable, and that’s the Futuro house, designed by Finnish architect Matti Suuronen in 1968.”