Dance Competitions For Preteen Girls Are Now Big Business

These events – individual and group numbers; tap, ballet, or “shuffle step for Jesus” – “form their own distinct subculture. Yet they are also distinctly American, not so different, underneath the false eyelashes, from Little League games, and raising a host of issues revolving around class, gender and parents’ aspirations for their children” – issues foregrounded, if not aggravated, by the Lifetime reality series Dance Moms.

Mixing Documentary, Anthropology And Art Film

Lucien Castaing-Taylor, director of Harvard’s Sensory Ethnography Lab: “It takes ethnography seriously. It’s not as though you can do ethnography with a two-day, fly-by-night visit somewhere. But it also takes ‘sensory’ seriously. Most anthropological writing and most ethnographic film, with the exception of some truly great works, is so devoid of emotional or sensory experience.”

Alexander Saxton, 93, Manhattan Preppie Turned Working Man, Novelist, Historian

The child of the editor in chief at Harper & Brothers, he was an Exeter and Harvard student who left school to become a regular Chicago laborer. His experiences working and living within the working class informed his entire career – as the author of three successful novels, a prolific left-wing journalist, and ultimately one of America’s top historians of the labor movement and race relations.

The Internet’s Art Market Is Even More Full Of Fakes Than You Think

For instance, the head of the Giacometti Foundation says, “We counted the other day 2,005 fake Giacometti sculptures for sale [on a single Web site].” One recent statistical study “estimated that as many as 91 percent of the drawings and small sculptures sold online through eBay as the work of the artist Henry Moore were fake.”

John Cage: Composer, Conceptual Artist, Or Charlatan?

Anne Midgette: “In fact, Cage was anything but a clown, though like many profound thinkers who are profoundly misunderstood, he did nothing to counteract people’s misimpressions. … So why was he so important? The short answer is that Cage was in the vanguard of a way of thinking about art that became central to many artists after him, testing its mores and meanings and definitions. Where does the ‘real world’ end and ‘art’ begin; what makes one object ‘art’ and not another; what defines a performance?”