Four Concentric Circles: Looking At The Arts, Creative Industries, And Society

“This raises a series of questions: how to describe, diagnose and support the full range of cultural endeavour as it intersects with other areas of society, the economy and government. … A useful descriptive and diagnostic tool points to helpful ways of measuring cultural value and impact. Imagine four concentric circles. …”

Yvonne Mounsey, 93, Balanchine Dancer & Eminent Ballet Teacher

As a principal in Balanchine’s New York City Ballet in its early years, Mounsey danced key roles in works by Tudor and Robbins as well as Mr. B.; she is best remembered as the Siren in Prodigal Son. After retiring from the stage, she first founded a ballet company in Johannesburg and later, in Los Angeles, the Westside School of Ballet, one of the West Coast’s top training grounds.

Playing Medea Can Change You

“A byword for narcissism and violence, she is abandoned by her husband, and lashes out by killing their children. Yet to hear Rachael Stirling talk about the character she is about to play, you’d think Medea was a role model for the smart, modern woman.” Stirling and three other actresses, including Fiona Shaw, talk about how portraying the character messed with their heads.