Dance Theatre Of Harlem Is Back

“Only a year ago, Dance Theatre of Harlem’s rehearsal studios at 466 W. 152nd St. were quiet. …. There were no professional dancers, only students who one day hoped to make it to the world stage. And now, after an eight-year hiatus brought on by a $2.3 million debt, the studios are alive again as DTH prepares to launch its 2012-2013 season.”

San Diego’s Old Globe Chooses Shakespeare Maven As New Artistic Director

Barry Edelstein comes to the Old Globe from New York’s Public Theater, where he was director of the Shakespeare Initiative, which included overseeing the popular Shakespeare in the Park series. And from “1998 to 2003, [he] was artistic director of New York’s Classic Stage Company, an off-Broadway house that won six Obie Awards during his tenure.”

Why Milwaukee Ballet Did Away With The Principal-Soloist-Corps System

Artistic director Michael Pink: “I don’t subscribe to the class structure; I mean especially an organization where there’s so few dancers – if you have 25, 24 dancers, they’re all going to have to work equally well … You see the obvious people that can do those things, and I think we have less ego and less ego issues – we don’t have any issues with anybody who assumes they’re greater than anyone else, and that’s lovely.”

Actor And Author John Clive, 79

“Clive, who was the voice of an animated John Lennon in Yellow Submarine and appeared alongside Michael Caine in The Italian Job, died on Monday. His other credits include several Carry On films, Stanley Kubrick’s A Clockwork Orange and two Pink Panther movies. … In later life, Clive went on to become a best-selling author.”

How Did Rebecca Get Derailed? Suspension Of Disbelief

Suspension of disbelief by the producers, that is. “They relied on a stranger, a nattily dressed Long Island stockbroker with no history in theater, to come up with $4.5 million … They continued to believe in him even after the stockbroker, Mark C. Hotton, announced that his lead investor had died, of malaria contracted in Africa, before he could write a $2 million check.”

Matthew Bourne’s Designer On How They Work Together

Lez Brotherston: “Matt doesn’t come to me and say, ‘Oh, I want to have male swans’ … Matt looks at everything I draw, and one idea spins off to the next. Some of what we come up with is rubbish, and Matt changes his mind at every meeting, which can be frustrating and brilliant. But the whole thing becomes so enmeshed that we can’t remember whose idea is whose.”