‘I Was Ayn Rand’s Lover’ (The New Yorker Finds Its Inner Onion)

“I was a fresh-faced seventeen-year-old, she was a prominent international author – and we were lovers. By ‘lovers’ I mean: we were constantly raping each other. Well, first there’d be a long speech. Usually by her. Then we’d gaze deeply at one another, and our souls would begin speaking the only language a man and a woman ever need: the language of mutual self-benefit.”

Composer Hans Werner Henze, 86

“[He] was a major figure in the music of the past half-century and the leading German composer of the post-1945 era; but he was often at odds with his native country politically and aesthetically. … At one time a strict adherent to the serial technique of composition, he later abandoned it. Declaring his belief in melody, he was regarded by the avant-garde as a traitor to the cause.”

That Phoenix Frank Lloyd Wright House? Landmark Status May Not Save It

In Arizona, landmark status lasts only three years. If the developers who bought it can’t sell it, says one of them, “I’ll move in, invite everybody to come in and take their pictures, and I’m going to wait three years. Then I’m going to knock it down to recoup my losses. … [For] me to carry the cross for Frank Lloyd Wright, that’s not fair.”

Gangnam Style? What Is Gangnam, Anyway?

“[W]hile the huge viral success of [Korean pop group] Psy’s hit has created a whole genre of jockey-based dance moves” – from dissident artist Ai Weiwei to London mayor Boris Johnson – “Gangnam is a place, too. It’s the Mayfair of Seoul, the high-rise district of the city just south of the river. Although it does feature one large and rather beautiful temple, Bongeun, for the most part, Gangnam is an upmarket shopping area.”

Anita Björk, Bergman Star And Sweden’s Top Stage Actress, Dead At 89

“Björk was considered the leading lady of Swedish theater, with a cool aura not unlike that of Greta Garbo. [Her] deep, self-restrained voice was impossible to confuse with anyone else’s. She appeared in more than 100 roles, many directed by Bergman. Björk’s international breakthrough came with the title role in Alf Sjöberg’s 1951 Strindberg adaptation Miss Julie.”