Watching Pierre Boulez Rehearse Elliott Carter

“In Cleveland, the players were bewildered during the first read-through of the score. Tensions flickered and were fanned by Boulez’s effortless, if glum, command of the music’s complexity. He could sing any instrumental part with exact precision … [He] could instantly hear if a note or a player’s timing was off, and he had no inhibitions about locating the exact source of error.”

How Bernini Outshines Even Michelangelo

“When Donatello and Michelangelo sculpted David, they transmuted his rock-throwing dynamism to monumental potential. Bernini’s David actually swings the sling, his face all screwed up in concentration like yours or mine would be, with every little muscle picked out and straining. One tends to think there is a dimension missing, when in fact there is an extra dimension present: natural humanity.”

Why People Care Whether Beyoncé Lip-Synched At The Inauguration

“Beyoncé’s performance makes us nervous when juxtaposed with the earnest idealism of the inauguration. … [Her] fakery, it seems, implies some larger fakery at the heart of the whole enterprise. … We don’t want to be reminded that we’re watching mere mortals who might trip on their way to the podium, stutter through the oaths of office, shiver in the cold, or worse, err in judgment and lead the country on the wrong path.”