Nora Ephron’s Son Remembers Her Final Days

“Absolutely, she planned for it. She redid her will earlier in the spring when her blood counts were going the wrong way, typed an exit letter on her computer, spelling out what she wanted after she died: a party in the apartment with Champagne and cucumber sandwiches from William Poll; a memorial held days after. ‘Get it over with’ was the gist of her instructions. She even supplied the speaker list.”

The Living Theater Is Not Dead, Contrary To Rumor

With the legendary experimental company leaving the theater it had called home since 2007, and with company co-founder Judith Malina leaving her apartment atop the space for an assisted-living facility for actors, reports began circulating that the Living Theater was closing. On the contrary, says executive producer Brad Burgess. (And Malina is working on two new plays.)

Still Abiding After 15 Years: The Laid-Back World Of Big Lebowski Worship

“Over the last 15 years, the Coen brothers’ oddball noir-Western-surrealist comedy about one man’s complicated quest to get his rug replaced after a mistaken hitman pees on it hasn’t just become a cult classic – it’s become something closer to an actual cult. Not only has it launched at least one known, priest-ordaining faith; it’s also become a field of study for religion and mythology scholars, too.”

The Messy Love Life Of Anton Chekhov

“The more you learn about Chekhov, as you read biographies, memoirs, the letters – the more clear it becomes that he led a love-life of astonishing activity and complexity. Chekhov, it turns out, had a great many affairs, some enduring several years, and most of the women involved with him for any length of time wanted to marry him.”

‘Only Connect The Prose And The Passion’: A Manifesto For Administrators, Artists And Funders

Marian Godfrey, a longtime official with the Pew Charitable Trusts, calls for organizations to (re-)consider how their activities – and even their stated missions – really relate to and with the people they’re meant to serve (and to remember that the people they’re serving aren’t the artists themselves).