Pedro Ramírez Vázquez, Mexico City’s Great Modernist Architect, Dead At 94

“Over six decades in which much of Mexico evolved from a mostly peasant society into a modern industrial state, [he] and his collaborators built a series of monuments to Mexican culture, including the National Museum of Anthropology, the Azteca soccer stadium, the Legislative Palace and the Basilica of Guadalupe, all in Mexico City.”

How Much Has Russia’s Literary Culture Changed?

Here’s a scene from a recent literary award ceremony: “The videos featured many extreme close-ups, with no effort to conceal writerly pallor, blemishes or facial tics. … The real writers standing onstage looked very small in comparison. Some shifted from side to side, eyes downcast; others trembled. After each prize was announced, models emerged to give trophies to the winners and iPads to the less fortunate. No one looked very happy about the iPad.”

Campaign For Denise Scott Brown’s Retroactive Pritzker Picks Up Steam

The petition to add her to her husband and partner Robert Venturi’s 1991 Pritzker Prize “has now drawn 9,000 signatures, many of them from the world’s most famous architects, including six prior Pritzker winners. And it has reignited long-simmering tensions in the architectural world over whether women have been consistently denied the standing they deserve.”

Limón Technique, Explained By The Limón Dance Company’s Director

Carla Maxwell: “José would sometimes tell people that we just use every day things like walking, falling and turning. … The technique itself can look very lyric, but it’s really a rhythmically-based, dramatically-oriented technique. It’s also action-oriented. It’s not movement for movement’s sake ever. There’s always an objective.”