Miss Manners Looks At Renaissance Etiquette

Judith Martin: “English readers in the early 17th century assumed Tom Coryate, a professional jester turned travel writer, was joking when he reported that Italians did not attack their food with hands and hunting knives as did normal people, even normal royalty. Those finicky Italians wielded forks, a nicety that did not become common in the rest of Europe for another two centuries.”

What It’s Like To Act For Lars Von Trier

Paul Bettany: “As an actor, I have questions. I want to know what I’m doing. And he simply wouldn’t talk to me. You’re not allowed to talk about the film and there is no rehearsal. … He just stands there and says [mimics Danish accent]: ‘Louder! Louder! Do it louder!’ That’s the extent of your collaboration. You know what it’s like? It’s like he’s Jackson Pollock and you’re on the sidelines, mixing his colours.”

Does Reading Great Literature Really Make Us Better People?

“Wouldn’t reading about Anna Karenina, the good folk of Middlemarch and Marcel and his friends expand our imaginations and refine our moral and social sensibilities? If someone now asks you for evidence for this view, I expect you will have one or both of the following reactions. First, why would anyone need evidence for something so obviously right? Second, what kind of evidence would he want?”

Why Don’t American Critics Write More Hatchet Jobs? (Asks A Brit)

Clive James: “Ripping somebody’s reputation is recognized blood sport [in Britain]. Shredding a new book is a kind of fox hunting that is still legal today. Such critical violence is far less frequent in America. Any even remotely derogatory article in an American journal is called ‘negative,’ and hardly any American publication wants to be negative.”

Ballet’s Not Dead – It’s More Creative Than It’s Been In Years

“For about two decades after the death in 1983 of the great choreographer George Balanchine, critics lamented the dearth of important new dance makers in classical ballet. … Then at the dawn of the 21st century came Christopher Wheeldon at the New York City Ballet, and Alexei Ratmansky at the Bolshoi Ballet. Suddenly ballets seemed to offer something fresh and new.” And they’re not by any means the only ones.