Michigan Governor Says Detroit Museum’s Collection Is An ‘Asset’ (So Why Not Sell It?)

“Earlier this week there was a brief spark of hope that the Michigan Legislature would swiftly pass a bill to try and prevent a potential sale of the Detroit Institue of Arts’ (DIA) collection. That spark has been put out, at least for now, by both the State House of Representatives and Governor Rick Snyder.”

Why Do The Chinese Love Western Classical Music?

Former ambassador Nicholas Platt: “One of the things that strikes me is that most of the literature and the music and the philosophy and so forth are very practically oriented, directed toward the solution of problems, the description of events, or program music with pictures of moonlight on water. You know the routine. And it’s beautiful. But it’s not very abstract. And I think classical music has some appeal to the Chinese because of its abstractness. It may fill a hole in their needs. There are simpler explanations. They love grand things – big buildings and big bridges – and Western classical music is grand.”

It’s Official: Bolshoi Dumps Nikolai Tsiskaridze

A Bolshoi spokesperson confirms that the principal dancer and Russian media celebrity – who has spent at least the last two years loudly criticizing the Bolshoi’s management, artistic product and renovation, and has repeatedly demanded that he himself be appointed the theater’s director – will not have his contract renewed when it expires at the end of this month.

Is It Okay (Or Even Legal) To Make Art From Other People’s ‘Abandoned’ DNA?

“It has been described as both ‘creepy’ and ‘cool’. But amid the publicity surrounding a provocative art project that creates ‘facial reconstruction’ sculptures based on the analysis of DNA on cigarette butts, chewing gum, and other detritus collected from the streets of New York City, one question has remained unasked: is it legal?”

Opera Conductor Bruno Bartoletti, 86

“[While he] conducted around the world, including in Rome, at London’s Royal Opera House in Covent Garden, at the Teatro Colon in Buenos Aires and, for many years, at the Maggio Musicale festival in Florence,” he was best known for his 35 years as artistic director of Lyric Opera of Chicago, which he heped make into one of the world’s top companies.