Pierre Cardin Gives Up On His Skyscraper Over Venice

“The Palais Lumière, a 254 metre-high skyscraper planned for the ex-industrial area of Marghera, 9.5 kilometres from the centre of Venice, will not now be built.” Cardin is “abandoning the project because two and a half years had gone by without the necessary permissions being granted,” due to opposition from local officials and residents as well as Italy’s culture minister.

Why Disney’s Lone Ranger Was Doomed To Be A Financial Sinkhole

Andrew O’Hehir: “One could also understand big, stupid, money-losing pictures as a feature of Hollywood’s production system, rather than a bug. … The movie industry, at least at that level, operates on the same delusional principles as the military budget or Wall Street executive salaries, where bigness, waste and needless expenditure in all directions become markers of significance and ambition.”

The Bolshoi Scandal We Missed: Star Ballerina Walks Out Of Onegin

Svetlana Zakharova, one of Russia’s most famous dancers, was to take the role of Tatiana opposite US visitor David Hallberg in several of this month’s performances of the John Cranko ballet. But last week, when she discovered she had not been scheduled to perform on opening night, she stormed out of rehearsal and refused to return to the theater.

Does The Noise Of A Coffee Shop Help Your Creativity? Now You Can Stream It Over The Web

“Recent brain research has shown that the moderate ambient noise of café chatter and espresso machines, in the range of about about 70 decibels, fosters creative work … Coffitivity plays an audio feed of the optimal noise level of clinking cups and people talking. It also makes recommendations on the volume at which to overlay your own music for maximum concentration.”

Australians Uninhibited? Not When They’re In An Audience

“Australia often seems to be a nation of cordial clappers and polite head-dippers when it comes to live performance. There are exceptions – festival-goers and, oddly, ballet audiences can be soccer-mob rowdy – but years of seated ovations and quick-to-fade clap-alongs suggest something happens to Australians when we arrange ourselves in rows and stare in the same direction.”