Can The Man Who Brought Peace To Northern Ireland Do The Same For The Minnesota Orchestra?

“Former Senate Majority Leader George Mitchell has stepped into the Minnesota Orchestra’s lengthy and bitter labor dispute. Mitchell met last week in Washington, D.C., with representatives of management and labor to see whether he can coax the two sides into a mediated settlement, according to sources close to the situation.”

In Egypt, This Year’s Ramadan Soap Operas Star Conservative Islamists

“Moltaheen – ‘people with beards’ – are all over TV this Ramadan, the Muslim holy month of fasting, which Egyptians mark by staying up through the night and watching multi-episode soap operas. … These programs were filmed when Morsi still held power, and they appear to be the cultural establishment’s collective protests against extremism.”

Old Rock LPs Become Investment Vehicles

“For people who grew up during rock ‘n’ roll’s 1960s-to-1980s heyday … rock memorabilia is as legitimate a collection as rare coins, stamps and first editions. Some of these vinyl junkies now occupy the highest ranks of America’s business, government and art worlds, spending big money on the countercultural bric-a-brac of their youth.”

The Head Of Farrar, Straus & Giroux Reflects On The Company’s Golden Age And Its (Silicon) Present

Jonathan Galassi: “I’ve been around long enough to have lived through the transition from what was still basically a shoestring, seat-of-the-pants nineteenth-century artisanal shop to membership in a media conglomerate that has brought us financial stability and supply-chain-style efficiency. … The phones don’t ring off the hook, because most of what goes on in our now-silent offices happens onscreen.”

Italy’s Artistic Upstart, The Maxxi Museum, Strives To Make A Splash

“It’s hard enough to be the new attraction in town when you’re up against some of the world’s most famous ancient Roman, Renaissance and Baroque monuments. But Italy’s national museum for art of the 21st century, known as the Maxxi, faces even bigger challenges: attracting a Roman audience, so far largely indifferent, and establishing a reputation on the international scene while the government is sharply cutting financing for the arts.”