“As scholar in residence, [Naomi] André acts as an adviser to help Seattle Opera become more inclusive, both for audiences and behind the scenes. … Her most visible role involves a series of free, public community conversations that invite audiences to question problematic social themes and portrayals of marginalized communities in opera while appreciating the artistic elements that continue to hold up.” – The Seattle Times
Author: Matthew Westphal
How Bad Is California’s New Freelance Law For Performers? Let Them Tell You
“To learn more about AB5’s effect on artists, The Times asked readers to write in. We received more than 120 responses from artists across California — jazz and classical musicians, directors of arts nonprofits, magicians, costume designers, actors, a burlesque dancer and freelance food stylist, among others.” – Los Angeles Times
Making The Leap From Dance Student To Professional Less Daunting
“For generations, dancers have been thrust into professional life at a young age without much preparation or tools, sinking or swimming on their limited industry know-how. Today, some independent programs are presenting unique models that bridge the gap between student and professional life through networking, performance opportunities and more.” Haley Hilton surveys those programs. – Dance Magazine
Threatened By Gentrification, Berlin’s Nightclubs Seek Same Legal-Cultural Status As Theatres And Opera Houses
“A group dedicated to protecting the German capital’s nightlife took its campaign to parliament on Wednesday, urging more protection as more venues are closed to make way for new-builds and as growing numbers of residents file complaints about noise. About 100 clubs have closed in the past 10 years, and a further 25 are under threat.” – The Guardian
Could The Success Of ‘Parasite’ Finally Convince Americans To Accept Subtitled Films?
Actually, U.S. viewers were getting more comfortable with subtitles even before Parasite became this year’s Oscar hit. That’s thanks to two major entities: the FCC and Netflix. – The New York Times
Philly Pops Music Director Abruptly Replaced After Seven Months
Todd Ellison’s contract took effect last July 1, and on January 21 he and the Pops “separated,” according to a statement from the orchestra. Principal guest conductor David Charles Abell has been appointed music director effective immediately, and he starts on a new three-year contract next July. – The Philadelphia Inquirer
A Second Court Rules That Tate Modern’s Neighbors Should Buy Some Damn Curtains Or Quit Their Bellyaching
Four owners in a condo building had gone to court for an injunction requiring the museum to screen or block off part of its popular 10th-floor viewing gallery so that “hundreds of thousands of visitors” would stop “relentlessly” looking into their floor-to-ceiling windows. Last year, a judge dismissed the plaintiffs’ suit, saying that they could put up curtains or blinds. The condo owners went to the Court of Appeal, which has now rejected their complaint, adding that the Supreme Court would not hear it. – The Guardian (PA)
Radio New Zealand Kills Plan To Kill Its Classical Station
“The RNZ board has backed down on the decision to take Concert off the FM transmission. The move comes after widespread criticism from the arts community and Prime Minister Jacinda Ardern’s announcement yesterday that the Government would free up unused FM broadband spectrum to keep the station where it is.” – The New Zealand Herald
Why’s New Zealand Rescuing The Classical Radio Station And Not Ours? Ask Māoris
With a public outcry having convinced Radio New Zealand’s management not to eviscerate its classical service, advocates for the country’s Māori-language radio stations are arguing that they have been underfunded for decades and deserve a fair share of broadcasting resources. – The Spinoff (New Zealand)
Why Anonymous Is A Bestselling Author, And Why That’s A Problem
“For readers, the anonymous author holds a simple and compelling promise. Here is someone who – by concealing their identity – can reveal the complete and shocking truth. … [Yet] this is truth-telling predicated, after all, on a lie – perhaps the biggest lie possible, the denial of who you are. There is plenty of room for fiction to sneak in under the cover of the original fib.” – The Guardian
