How A Show About, Of All Things, Cambodian Surf Rock Became One Of This Season’s Most-Produced Plays

“With the Off Broadway production of Cambodian Rock Band now in performances at Signature Theater, [playwright Lauren] Yee and director Chay Yew appeared on Stagecraft, Variety‘s theater podcast, to talk confronting history, rocking out, and why they think audiences have responded so enthusiastically to a show that Yee said her husband didn’t believe she would actually write.” (includes text and audio) – Variety

He Was One Of Sudan’s Most Beloved Musicians — Then He Went Silent For Decades And Was Even Thought Dead

In the 1970s and ’80s, Abu Obaida Hassan’s singing and skill on the Nubian tambour thrilled Sudanese listeners and even gained attention overseas. Then the imposition of a stern version of Sharia law and the 30-year dictatorship of Omar al-Bashir squashed the country’s music scene, and Abu Obaida withdrew from public view. In 2016, a Western record producer went looking for him and found him by sheer dumb luck, and with Bashir now ousted, fans are rediscovering Abu Obaida’s sound. – The Guardian

A Huge Frank Stella Painting Disappeared In Chile And Ended Up Being Used As A Lunch Table

“It’s a little known fact that in 1972, minimalist artist Frank Stella donated the painting Isfahan III (1968) to the Museo de la Solidaridad in Chile, a new institution that invited artists from around the world to donate art in honor of Chilean president Salvador Allende’s new socialist government.” And then came Augusto Pinochet’s coup … – Hyperallergic

Indian Cinema Is Finally Starting To Get Comfortable With Same-Sex Romance

Until just a few years ago, the very few times queer characters were shown at all in Bollywood movies were as figures of mockery. Now, very occasionally, a film with a sympathetic portrayal of same-sex couples or trans characters does come out of the big Mumbai studios. And more progress can be seen in India’s “regional” (non-Hindi-language) cinema. – BBC

Why An ‘Old-Timey Gothic Typeface’ Became ‘The Nazi Font’

Blackletter, or Fraktur (as it’s known in German), was used all over Europe during the Middle Ages and through the early years of the printing press. As the rest of the continent gave blackletter up, though, Protestant Germans held on to Fraktur (Roman type was Papist, you understand), and, by the early 20th century, the font had become a symbol of German-ness. You know where that led — and the association, even though it’s not really accurate, remains powerful to this day as the German alt-right rises. (includes text and audio) – 99% Invisible