Ballet’s Great Runaway Brings Spotlight To Moscow’s No. 2 Troupe

Less than two years after he walked out on his burgeoning career as a principal at London’s Royal Ballet, Sergei Polunin is drawing critical raves and ravenous ticket-buyers to the Stanislavsky and Nemirovich-Danchenko Music Theatre, whose ballet company has always labored in the shadow of the mighty – and now strife-plagued – Bolshoi.

How Jeremy Denk Made Peace With The Goldberg Variations

“In fact, the Goldberg Variations have caused me more misery than any other piece of music in history, with the exception of the Tchaikovsky Trio (for totally different reasons). How many hours have I spent backstage fretting, knowing that there will be several insufferable know-it-alls in the audience, with their 700 recordings and deeply considered opinions?”