The Great Living-Room War: Live TV vs. Internet TV

Derek Thompson: “TV, as we know it, is cable packages and live channels. But the new players are building an Internet-video experience around apps with very little access to live television. It’s not TV. It’s Internet TV. Even as these tech upstarts are battling each other for living-room dominance, they’re also battling the legacy of traditional television and the sturdy cable bundle.”

Why I Wrote A Play About Margaret Thatcher

Moira Buffini, playwright of Handbagged: “When she died last year, my children couldn’t believe that people were partying in the street. This poor old lady had been incapacitated with dementia (like their beloved granny). … I tried to explain what it had been like; why people were still so angry. But my words fell over themselves.”

‘It Sounds Like A Stupid Fairytale’: Jean-Christophe Maillot’s Wishes Come True With Les Ballets de Monte-Carlo

When Princess Caroline invited Maillot to lead Monaco’s ballet company, he says, “I wanted to show the world that this company wasn’t the toy of a princess. I wanted a company that would have its own identity. And I wanted Monaco, so small and so specific, to experience the whole possibility of dance.”

Top Posts From AJBlogs 04.08.14

Beyond repair? On the loss of structural integrity …
AJBlog: Jumper | Published 2014-04-08

Nonprofit costs are driven by revenues
AJBlog: For What it’s Worth | Published 2014-04-08

Political Art, Billboards, New York and Los Angeles
AJBlog: CultureCrash | Published 2014-04-08

The Talking Cure, Part IV (powerful questioning and attentive listening)
AJBlog: We The Audience | Published 2014-04-08

From Julia Villagra: Wooing my peers (2)
AJBlog: Sandow | Published 2014-04-08

 

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‘Doctor Zhivago’ and the CIA

“A secret package arrived at CIA headquarters in January 1958. Inside were two rolls of film from British intelligence – pictures of the pages of a Russian-language novel titled Doctor Zhivago” which had been banned in the USSR. Yes, it seems that The Company was instrumental in getting Boris Pasternak’s Nobel-winning novel into print.