Two-On-One: A Novelist And Her Editors

“As is the case with many novelists with an international profile, Emma Donoghue has more than one editor. … The Canadian novelist and her two editors [form Canada and the U.S.] talk about sharing responsibilities, resolving disputes, and the long list of ideas Donoghue has waiting for the novels to express them.”

Staging The Stories Of Bangladesh’s Shamed And Forgotten ‘War Heroines’

The birangona (Bengali for “brave woman” or “war heroine”) were ordinary Bengalis, hundreds of thousands of them, who were abducted and raped by Pakistani soldiers during the Bangladeshi War of Independence – only to be rejected by their families and communities afterward. Leesa Gazi has used their testimony to create a theatre piece now touring England.

What Do You Do When The Story You Have To Write Has No Real Plot?

“A truly traumatic thing occurs to the family and then the family begins to unravel. The misery of this family’s daily life takes a slow toll. Real life is plotless, but the experience of reading books that replicate this can be irritating.” Akhil Sharma explains how he approached this “technical problem” of writing his autobiographical novel Family Life.

In Defense Of Aerial Dance

Lindsey Butcher, artistic director of Gravity & Levity: “Audiences don’t quite know what it is. Circus aficionados tend to think it waters down aerial skills and feel excluded because it is contemporary dance, but equally I’ve had dance buffs tell me I’m ‘selling out’ to circus. The truth is that aerial dance borrows from both disciplines but aims to forge its own artistic identity.”

The Kept Women Of 18th-Century Paris, And The Police Who Kept Tabs On Them

Europe’s first vice squad “compiled vast dossiers of information on the city’s elite sex workers and their patrons. But they rarely acted on that information. To this day, it remains a mystery why the Parisian police spent so much time and effort observing an underground economy it apparently had no interest in curtailing. But their files are an historian’s dream.”