Tamara Rojo And Carlos Acosta On Innocence, Aging, And ‘Romeo And Juliet’

Acosta: “In the beginning when you see Romeo and the other kids they just want to fight and joke around with harlots. … But then you witness a transformation inspired by powerful love. When I first played this role I was too young to understand that complexity.” Rojo: “I think life experience gives you things but it also takes away. It takes away naiveté. And it takes away belief.”

The Five Ingredients That Make A Great Movie Showdown

“Yet despite $200 million budgets and A-list actors and auteur-ish directors and world-class composers, editors, set designers, and writers, [the supposedly climactic scenes of big Hollywood films] rarely thrill. In fact, they generally disappoint.” T.R. Witcher looks at what’s missing – and which movies get it right. (includes video clips)

Is This App The ‘Guitar Hero’ Of Choreography? (Not Exactly …)

Passe-Partout “presents a new stage for dance that allows a user to overlay a series of one-minute pieces onto one another – there are eight solos or duets in total, though only five can be seen simultaneously – choreographed by Justin Peck for Mr. Ulbricht and himself. These layers allow for more than 40,000 permutations of dances. That’s a lot of bang for 99 cents.”

Inside The USSR’s Secret Hoard Of Erotica

“It was the kinkiest secret in the Soviet Union: Across from the Kremlin, the country’s main library held a pornographic treasure trove. Founded by the Bolsheviks as a repository for aristocrats’ erotica, the collection eventually grew to house 12,000 items from around the world, ranging from 18th-century Japanese engravings to Nixon-era romance novels.”

John McClure, 84, Master Classical Record Producer

“He made strong-selling recordings of the Mormon Tabernacle Choir; worked with Dave Brubeck, Joe Williams and other jazz artists; recorded Peter, Paul and Mary; and helped engineer the string parts for Pink Floyd’s … The Wall. But he made his biggest mark in the classical world, … [where] helped shape some of the most celebrated classical recordings of the 20th century, including acclaimed sessions with Bruno Walter, Igor Stravinsky and Leonard Bernstein.”