A Depression Theme At This Year’s Edinburgh Fringe

Lyn Gardner: “It’s always good to talk, and maybe these shows and others are a sign that we are getting better about being honest with each other about our own frailties. When I’ve discussed these shows with other people, several have opened up their own mental-health issues. That can only be good. It’s as if these shows give us permission to talk about the taboo, let down our guard.”

The Best-Selling Identical-Twin Novelists

Maria Konnikova interviews Austin (Soon I Will Be Invincible) and Lev (The Magicians) Grossman – really, they interview each other – about separating (and not) from each other and from the family business: both parents were writers, the black-sheep sister is a sculptor, and they say they’re “failed non-writers”.

Why Should Some Books Be “Guilty Pleasures” And Others Considered Like Spinach?

Rebecca Mead: “The distinction partakes of a debased cultural Puritanism, which insists that the only fun to be had with a book is the frivolous kind, or that it’s necessarily a pleasure to read something accessible and easy … [or] that literary works, especially those not written last year, are placed at the opposite pole to fun.”

The Recording Industry’s “Antilabel” – And The Niche Musician’s Lifesaver

“For more than 325,000 recording artists, in genres ranging from folk and rap to polka and bhangra” – and yes, classical, too – “CD Baby has become a vital lifeline. For a fee, the company not only sells copies of their CDs and digital versions of their songs, it can also track, collect and distribute royalties for musicians who don’t have – or don’t want – a big record label or song publisher behind them.”