Spiraling Tensions At Frank Lloyd Wright Architecture School

The board of the Wright Foundation has decided not to incorporate its school at Taliesin as a separate entity – an organizational decision that, thanks to a change in the Higher Learning Commission’s rules, means the school will lose its accreditation in 2017. The school’s governors and faculty are, unsurprisingly, unhappy about this, amd they’ve begun rebelling against the Wright Foundation.

An Aboriginal Dance Company Explores Australia’s Cultural History

Bangarra Dance Theatre is Australia’s most famous indigenous performing arts group, popular at home and overseas. Supporters argue that it gives today’s indigenous Australians an important way to retell and process their own history – not to mention providing all-too-scarce employment for aboriginal performers. “[But] some critics have described Bangarra’s liberal use of traditional indigenous dance spiced up with modern moves as a Disneyfication of aboriginal culture.”

Against [Whatever] (Susan Sontag Has A Lot To Answer For)

“In recent years, there has been an ‘Against [X]’ epidemic: against young-adult literature, against interpretation, against method, against theory, against epistemology, against happiness, against transparency, against ambience, against heterosexuality, against love, against exercise, etc. The form announces a polemic – probably a cranky one, and very likely an unfair one.” Exhibit A: Sontag’s “Against Interpretation,” from 1964.

Can A Cartoon Muslim Princess Soothe China’s Ethnic Tensions?

That seems to be what the government hopes, since it has commissioned a 104-episode series about a ten-year-old Uighur princess who works with her Han and Kazakh friends to free her captive father. Problem is, the folk character on which she’s based is seen very differently by Uighurs (who call her Iparhan) and Han Chinese (who know her as “the Fragrant Concubine”).

Sandy Wilson, Composer Of “The Boy Friend”, Dead At 90

The “winsome, nostalgic and tuneful” 1953 musical, which made stars of Julie Andrews (on stage) and Twiggy (on screen), subsequently became a perennial favorite of school and comunity theaters all over the English-speaking world. “He would say that The Boy Friend always held a place in his heart because it gave him the economic means never to work again.”