Emma Thompson Is Having None Of This 50-Is-The-New-35 Business

“Can I just say, very loudly, bollocks. If you look after yourself and you’re healthy, then you’ll have the energy to do things. But not to recognise getting older for what it is? I do think the infantilisation of our generation is one of the huge issues of our time. People wanting to be 35 when they’re 50 makes me think: why? Why don’t you be 50 and be good at that?”

Jan Morris On Carpaccio

Not the raw meat dish, silly; she means the painter. “I am no connoisseur, cultural scholar, or art historian. I know nothing about painterly techniques, chromatic gradations, or artistic affinities, and my infatuation with him is largely affectionate fancy. I feel I know him personally, and I often sense that I am directly in touch with him across the centuries, across the continents, as one might be in touch with a living friend. But however much I delight in Carpaccio’s virtual company, I know hardly anything about the man, and in this I am not alone.”

We Just Can’t Let Go Of Scott And Zelda Fitzgerald

Adam Gopnik: “Second acts there may or may not be, but American epilogues go on forever. Scott and Zelda’s friends from the Jazz Age would doubtless have spit up into their morning coffee – or, more likely, into teacups filled with bathtub gin – to find the pair, almost a century after their meeting, not a poignant footnote to an ill-named time but an enduring legend of the West, a subject adaptable for movies and novels and probably paper dolls and ice shows.”

Look, Here’s The Truth About Jobs For Critics In 2014

Last week, Mark Shenton wrote in passing “There are plenty of budding actors, writers, directors and even critics (though no jobs for the latter), …” To which journalist Matt Trueman responded, “Mark, saying no jobs for young critics does a disservice to young critics making a living from their writing.” Well, disservice or no, here’s Shenton’s response.

Another Worry About Scottish Independence: Talent Might Stampede South

“Scots who consider themselves to be artists living in the land of their birth are increasingly uneasy about the instrumentalism of all this, how the arts are fine as long as they earn, and as long as it’s seen as definitively Scottish. … That’s okay while when there’s still an enthusiastic cultural traffic between Scotland and the rest of the UK, but the Scot Nats want to end it on Thursday.”