How TV Helped Advance LGBT Rights

“In the first instalment of Talking TV, … Tom Brook reports on how television has been at the vanguard of changing perceptions of gay people – especially in the US where the proliferation of gay and lesbian TV characters has arguably created a climate more receptive to the idea of gay marriage.” (video)

Prehistoric Cave Art In Spain To Remain Open For Limited Viewing

The Altamira caves, which had been closed since 2002 out of worries that moisture and body heat from tourists could ultimately damage the 18,000-year-old paintings, were opened earlier this year to a maximum of five visitors for one hour per week. Researchers say there’s been no perceptible damage to the art, and the experiment will continue for at least five more months.

What the Marshmallow Test Really Teaches About Self-Control

“Over the last 50 years, the ‘Marshmallow Test’ has become synonymous with temptation, willpower, and grit. Walter Mischel’s work permeates popular culture.” In a Q&A, Mischel discusses “what the [test] really captures, how schools can use his work to help problem students, why men like Tiger Woods and President Bill Clinton may have suffered ‘willpower fatigue'” – and whether to worry if your pre-schooler flunks the test.

Atlanta Symphony Lockout: Robert Spano Speaks (More Carefully Than Runnicles)

“Our brilliant and creative musicians, who need to be intimately involved in the creation of our path to the future, have been asked to leave the building – and Atlanta is left with a deafening silence. … If the 10th-largest urban economy in America is incapable of sustaining its cultural jewel, what does that signal about our country?”

The Trouble With “The Death Of Klinghoffer” Isn’t Quite What You Think

Justin Davidson: “I don’t believe that this imperfect opera denigrates Jews, incites hatred, endorses libels, or casts collective blame. It doesn’t glorify terrorists or justify their crimes. What it does do is embed a spasm of thuggish violence in a broad historical context, a job that Adams, librettist Alice Goodman, and the original production’s director and all-around inspiration man, Peter Sellars, have fumbled badly.”