Where Do I Start With Patrick Modiano, The New Nobel Laureate?

“You might have experienced Modiano’s work without realizing it: He co-wrote the scripts for Louis Malle’s Lacombe, Lucien (1974) and Jean-Paul Rappeneau’s Bon Voyage (2003). But Modiano’s novels are worth reading as well: subtle, rhythmic, and hypnotic investigations into the self and its memory – the perfect thing for the mournful indoor months.”

Nonfiction Writing Deserves A Nobel Every Once In A While, Too

Philip Gourevitch: “It has been more than a half century since any such recognition – a half century that has seen an explosion of great documentary writing in all forms and lengths and styles, and yet there is a kind of lingering snobbery in the literary world that wants to exclude nonfiction from the classification of literature – to suggest that somehow it lacks artistry, or imagination, or invention by comparison to fiction.”

Why Reading Plays Is So Great

“In fact what I am doing in that moment of reading is acting. I’m not on a stage or in front of an audience; I am not even moving or speaking out loud. … I may be acting silently inside my head, but in that instant, I’m an actor – a unique and rewarding response better elicited by published plays than by any other kind of literature.” Dan Kois demonstrates how this works, with Annie Baker’s The Flick.