Do Choreographers Need Editors?

Judith Mackrell: “In dance, however, there’s no real equivalent, no institutional version of an outside eye to spot a weak narrative, a slack structure or an idea that’s not quite working. … Nor is it even clear who that figure might be. … [Even so,] I think the art form is suffering needlessly from this lack of systematic editorial input.”

The Theatre Installation That’s Horrifying All Europe

South African playwright Brett Bailey’s Exhibit B mimics the “human zoo” exhibits of colonial “natives” seen in Europe in the 19th and early 20th centuries. After four years of touring without much controversy, this year Exhibit B has seen “loud debates and furious demonstrations in Europe about the boundaries between artistic freedom and exploitation, censorship and political incorrectness.”

Chris Ofili’s “Holy Virgin Mary” Doesn’t Seem So Shocking Anymore – Why?

You may remember that when the Nigerian-British artist’s rendition of the Madonna was exhibited at the Brooklyn Museum in 1999, following uneventful showings in Europe, all hell broke loose (as it were). Now the piece is back in New York, attracting no particular controversy. Alastair Sooke considers what’s changed over the past 15 years.

“Books Aren’t Just Commodities” – Ursula K. LeGuin’s Speech At The National Book Awards

“Right now, we need writers who know the difference between production of a market commodity and the practice of an art. … Yet I see sales departments given control over editorial. … And I see a lot of us, the producers, who write the books and make the books, accepting this – letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write.”