Brian Dennehy On The Hard Work Of Acting Eugene O’Neill

“You feel like crap, you’re exhausted, you may be sick, you may have a cold. I’ve got arthritis everywhere. … But it all disappears the minute the lights come up and you start walking down a small dark hallway or climbing down into this tunnel. I have no idea what the attraction is. I cannot tell you how many times a day I say to myself, ‘Why am I doing this? Why do I have to go there?’ I have no answer for it.”

Those Who Stay: The Lives Of Writers’ Companions

“We often know very little about those who live closely and share the lives of the writers about whom we apparently know so much. Part of this is wilful mythologizing. We like to think of the writer as indestructible as the text, preferring not to imagine who might make them breakfast in the morning or help them put on their shoes when they are too old to manage it by themselves.” A look at “Miss Alice” Lee, Ted Hughes, John Bayley, Leonard Woolf, and Valerie Eliot.

Florence Shuts Down Its Ballet Company – For The Second Time

Two years ago, the Teatro del Maggio Musicale, facing the same cash crises that afflict most Italian opera houses these days, announced that it could no longer afford to maintain its ballet company, called MaggioDanza. Supporters put together a private entity intended to maintain the troupe at the theater. It didn’t work (and they’re all suing each other), so MaggioDanza will close after all. (in Italian)

How The L.A. Phil Is Facing The Future

“‘Our audience is segmenting. There isn’t such a thing as a classical music audience. There are dozens of classical music audiences,’ said Chad Smith, the Phil’s vice president of artistic planning. ‘We want to be seen as relevant to what’s happening in our world. L.A. is the most contemporary city. You miss a beat and you are forgotten.'”

Guthrie Theater Names New Artistic Director

“His name might not have been on the handicappers’ shortlist, but Joseph Haj’s appointment Tuesday as artistic director of the Guthrie Theater brought waves of acknowledgment and praise. ‘He’s a huge player on the national scene – one of the finest theater artists working in America today,’ said [former NEA head of theater] Ralph Remington.”

If Too Many Arts Professionals Come From “The Elites”, Well, Whose Fault Is That?

“Judi Dench, David Morrissey and Julie Walters have all lamented [working-class folks’] absence. But, interestingly, they each talk about the opportunities for working-class kids that existed 20, 30, even 40 years ago, when they were establishing their careers. What has changed between then and now has nothing to do with the socially and ethically conscious people that largely make up our arts sector.”