Why British Political Satire On TV Stops Being Satirical When It’s Adapted By Americans

“Failure is a wellspring of British comedy, but its American counterpart rewards ‘optimism [and] a refusal to see oneself in a bad light’.” Christopher Orr looks at how Game of Thrones changed from savage political parody to dramatic thriller as it crossed the Atlantic, and how The Thick of It morphed into the farce of Veep.

Is This The Banksy Of Iran? Or The Shepard Fairey?

“[Mehdi] Ghadyanloo has more in common with the metaphysical painter Giorgio de Chirico than he does with Banksy. Yet in terms of success as a street artist, he is undoubtedly the Banksy of Tehran. Astonishingly, there are over 100 walls in Iran’s capital decorated by Ghadyanloo. … His paintings are not illegal. On the contrary, he was commissioned by the city government to paint them.” (So he’s definitely not like Banksy.)

Who Should Decide How Students Learn About America’s Past?

“This school year, the fury is over the new U.S. History Advanced Placement course – in particular, whether its perspective is overly cynical about the country’s past. The controversy raises significant questions about the role of revisionism in education: How should students learn about oppression and exploitation alongside the great achievements of their country? And who decides which events become part of the national narrative as more information comes to light?”