Workers Of The Word Unite! – Language And Class At The Copy Desk

“The truth is that the work of the copy editor is largely disdained. And because their work is so undervalued, copy editors (and fact checkers) routinely work significantly longer hours for much less money … The popular image of the copy editor as a usefully malfunctioning person justifies the natural order of things: In the Calvinistic world of magazines, maladjusted grammar weirdos simply fall to their natural station.”

How Much Do Britain’s Top Arts Institutions Get From Corporate Sponsors? And What Do The Sponsors Get For Their Money?

“Details of specific deals are usually secret, because neither arts organisations nor sponsors want their rivals to know exactly what is changing hands. So we looked at the accounts of 10 top arts organisations – Royal Opera, English National Opera, National Theatre, Royal Shakespeare Company, Southbank Centre, British Museum, Science Museum Group, Victoria and Albert Museum, Natural History Museum and National Gallery – and asked them how much money they get from sponsors overall.”

Man’s Law or God’s Law? Sophocles’s Antigone: Heroine Or Criminal?

“It is this tension that is at the heart of the play: which law trumps all others? For Creon, obeying the law of the land is the single most important thing we must do, as citizens. … It is this tension that is at the heart of the play: which law trumps all others? For Creon, obeying the law of the land is the single most important thing we must do, as citizens.”

Understanding the Two Types of Extroversion (Yes, There Seem To Be Two)

“Agentic extraversion is about sensitivity to reward, engagement with goals and achievement, persistence, and taking a leadership position when you have an opportunity to do that. In other words, being comfortable in the limelight. … Affiliative extraversion is also a really great trait – it’s a dimension of social warmth. People who are high on the trait, close social relationships mean a lot to them, … they tend to have a very large group of meaningful friendships.”

Burlesque Dancer Fired For Being Too Curvy, Sparks Online Uprising

When the Bourbon Street burlesque club Lucky Pierre’s dismissed performer Ruby Rage – over the objections of the show’s producer – “word spread quickly and social media did what it does best, dumping voluminous righteous outrage on every conceivable target: the club, its owners, its employees, [producer] Bella Blue, the traditions of burlesque itself.”