Ai Weiwei’s In Alcatraz (Well, His Art Is, At Least)

The trickster artist and Chinese dissident is actually imprisoned in his house in Beijing – so who better for a show at the island prison? “To a site often flattened into a caricature as the onetime home of mobster Al Capone, Ai has layered on a contemporary meditation on political imprisonment, freedom of speech and the power of creativity as a force that can better society.”

Can L.A.’s Small Theaters Afford To Pay Their Actors Better? Can They Afford Not To?

Charles McNulty: “Producers have built flourishing shoestring operations on the backs of virtually unpaid actors. If the majority of performers aren’t complaining, why should their union interfere? … That’s not the way I see it. I believe that the union is concerned about the future of Los Angeles theater, recognizing that institutional growth over the long haul is in the best interest of its membership. Only time will tell whether L.A. is capable of such growth.”

Sitting In On UPenn’s Notorious ‘Wasting Time On The Internet’ Seminar

“There’s something wonderful about this dogged insistence on having nothing whatsoever to show for your time in class, especially given the cultural rage for productivity. … But: With the approval of the UPenn English Department, Goldsmith’s crafted a creative writing course that fails to generate any writing, one that to some extent paints basic college benefits like insight, growth, and learning as passé fantasies of the old guard.”

How To Get Boys To Take Up Ballet

Ángel Corella, artistic director of Pennsylvania Ballet and a former star at American Ballet Theater, talks frankly about the bullying and paternal disapproval he suffered while studying ballet as a boy in Spain, the strength and athleticism ballet requires, and the importance of the boys-only classes he has started in Philadelphia.