Benjamin Millepied Talks About Running The Paris Opera Ballet

“The idea behind [L.A. Dance Propject] was to create a home for the American modern dance repertory, but Paris is bringing me back to my career as a dancer. It’s a ballet company, first and foremost. Of course there are all the issues that go with the size – the bureaucracy, the French laws, the unions. There is stuff in the system that’s 150 years old, and there is so much talk about tradition!”

Why I’m Building A Pop-Up Globe Theatre

“It’s the energy of the building that has the potential to bring Shakespeare to life. It’s the shared space, the triple-galleried cockpit, the restless crowd, the direct address. It’s these conditions of performance that create a transformative experience.” Miles Gregory explains why he and colleagues are constructing “a full-scale, temporary, working theatre space that precisely replicates the dimensions of the Globe Theatre. That can quite literally ‘pop-up’ anywhere.”

What Difference Does It Make Who The Next Berlin Philharmonic Conductor Is? Not That Much, Says Alex Ross

“The Berlin Philharmonic is unquestionably a magnificent organism … but the idea that its chief conductor is the Pope of classical music is a relic of the Karajan cult. … Not the least of the challenges that classical music faces is the increasingly unworkable celebrity-maestro model – a twentieth-century mutation.”

David Letterman, Great American Broadcaster

“Nobody would have been shocked if, as Letterman aged, he simply tried to cling to his younger irreverence, flinging his 68-year-old self to Velcro walls, like in the old days. That’s what TV does to people who want to stay on TV, and it’s usually a cringefest. Instead, Letterman began a quiet but noticeable transformation to a broader, more open, human version of himself.”

B.B. King, 89

“The singer and guitarist … put the blues in a three-piece suit and took the musical genre from the barrooms and back porches of the Mississippi Delta to Carnegie Hall and the world’s toniest concert stages with a signature style emulated by generations of blues and rock musicians.”