How Hard Is It To Translate Japanese Fiction Into English? Haruki Murakami’s Translator Will Tell You

Jay Rubin: “You don’t have a grammatical structure that you can use in any way, when translating Japanese to English. You don’t have cognates. You certainly don’t have a sentence structure that’s anything like English.” Not to mention the intangibles in each language that don’t exist in the other. “I very often feel I’m writing original – almost original – fiction.”

What It’s Like To Go Through A Psychotic Break: A First-Person Account

“I am thinking fast; new fears flood in at the speed of perception. I’m noticing some things you – the interviewing doctors – do not. Yes hallucinations, some of them; fight or flight is also heightening my senses. Paranoid hypotheses are disproved and discarded, others take their place. Some will stay with me for months to come. But I don’t know that there is any future. … The thought, ‘I’m experiencing psychosis’ – terrifying when it comes – is unavailable; it’s all too new for that.”

Battles, Batman, And Liberace: A Cultural History Of Capes

“Simple in design, yet evocative of the utmost drama and intrigue, capes are sartorial shorthand for imminent action. To fasten one around your shoulders is to say to the world: ‘Some pretty major scenes are about to go down. And make no mistake: I am ready.’ It’s a message that comes across regardless of whether the wearer is a warrior, a superhero, or Liberace. But how did capes come to be imbued with excitement and peril?”

The Biggest American Radio Star Most Americans Never Heard – And Perhaps The US’s Greatest Cultural Ambassador

“For 40 years, … [his broadcasts] constituted one of his country’s most effective instruments of cultural diplomacy.” He once said, “Jazz tells more about America than any American can realize. It bespeaks vitality, strength, social mobility; it’s a free music with its own discipline, but not an imposed, inhibiting discipline.”