‘Happily Manipulated’: Peter Schjeldahl On Whistler’s Mother, And His Own

The iconic status of Arrangement in Grey and Black, No. 1 isn’t just because it marks “the peak of Whistler’s radical method of modulating tones of single colors.” It’s because, like Mona Lisa, The Scream, and American Gothic, “Whistler’s Mother” is “the distillation of a meaning instantly recognized and forever inexhaustible. In this case, it’s the mysteries of motherhood. Everybody has a mother, and something close to half of everybody becomes one.”

Dangerous Satire? Americans Know Nothing Of Dangerous Satire

“America simply never had a Werner Finck, and we certainly don’t have a Bassem Youssef, even though we’d like to think we do. It is far safer and easier to canonize Chaplin’s ballet performance [in The Great Dictator] while forgetting the unsafe, uneasy provocations of Finck [and Youssef]. Americans tolerate bullshit even when we know – we know – it’s bullshit. At the best of times, there is something luxurious about this.”