Alberta Ballet, Working Its Way Out Of Deficit, Asks Each Supporter In The Province For $50

“Alberta Ballet will be asking supporters across the province to each donate $50 to the organization over the next seven months to help weather financial hardships the company has suffered over the last few years. It’s part of a $1-million fundraising campaign launched on its 50th anniversary to help put the organization, the second-largest ballet company in Canada, on steadier ground financially after revenue fell drastically in its 2013-2014 season.”

The Courtroom Battle Over Kafka’s Archive Has Been Decided Once And For All

An eight-year legal struggle between the National Library of Israel, which claims the papers based on instructions in the will of Kafka’s friend Max Brod, and the daughters of Brod’s secretary Esther Hoffe, who insist that Brod gave their mother the papers to do with as she liked, has been ended with a decision by Israel’s Supreme Court.

Opera Director Kay Walker Castaldo Dead At 67

“[She] directed productions for Opera Company of Philadelphia, Cincinnati Opera, Teatro Colón, and New York City Opera. Since 2012, she had been associate professor at the School of Music, Theatre and Dance at the University of Michigan.” Says former Opera Company of Philadelphia chief Robert Driver, “She is probably the only director who never raised her voice.”

Top Posts From AJBlogs 08.09.16

Fifth Anniversary Highlights: Art for Art’s Sake?
During the month of August, Engaging Matters is republishing some of the most widely read articles from the five years this blog has been in existence. … read more
AJBlog: Engaging Matters Published 2016-08-09

Lookback: Our Girl in Chicago on preparing to see a movie
From 2006: I sometimes do too much fieldwork before seeing a movie, building up a whole structure of preconceptions that I then have to trundle into the theater with me and crane my neck to peer around at the thing itself. … read more
AJBlog: About Last Night Published 2016-08-09

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Nabokov’s ‘Pale Fire’ Is ‘The Great Gay Comic Novel’, Argues Edmund White

“[The character] Kinbote’s mad ‘notes’, far from commenting on Shade’’ poem, trace out a mini-biog¬raphy of Kinbote. And that biography, real or delusional, is the picture of an unrepentant homosexual, sensual, guilt-free, tirelessly on the make. In the 1950s, gay men were portrayed in fiction and films as lonely phantoms – sad and colourless – or sometimes as instant villains (see Norman Mailer’s essay, ‘The Gay Villain’, 1954). Nabokov, by contrast, depicts Kinbote as lustful, entitled, screamingly absurd.”