Britain’s National Gallery Asks Government To Help It Buy £30m Italian Old Master

“The National Gallery in London wants to buy a portrait by Pontormo that its aristocratic owner sold to an oversees buyer for more than £30m last year. Unusually, the seller paid inheritance tax on Portrait of a Young Man in a Red Cap (1530) before its new owner applied for an export licence. The National Gallery therefore hopes that the Treasury will refund the tax paid to help keep the portrait in the UK.”

How Sergei Polunin, Ballet’s Gifted Train Wreck, Turned Himself Around

“I was sort of sabotaging myself,” says the now-26-year-old – who became a Royal Ballet principal at 19 and got compared to Nureyev and even Nijinsky – of the turbulent period that saw him storm away from Covent Garden and later from Moscow’s Stanislavsky Theater, which took him in after he burned his London bridges. Then one YouTube video gradually changed everything.

Dance Is The Perfect Art Form For Export, Which Is A Business Opportunity For Companies

Anthony Missen, director of Britain’s Company Chameleon: “From [our company’s] perspective, dance as an international export works because our dance pieces are scalable. Working both indoors in theatres and studio venues, and outdoors at events and festivals, our work can be presented in small squares, big plazas and huge theatres in sprawling cities, busy towns and relatively isolated rural communities. This flexibility means we can perform in a huge number of contexts and within a wide range of budgets.”