Star Of UK’s Favorite Soap Fired For Anti-Indian Twitter Rant (He’s From Pakistan)

“[Marc Anwar joined the cast of Coronation Street] as Sharif Nazir in February 2014 as a member of the first Muslim family on the cobbles. The Sunday Mirror published screenshots of messages posted on his private Twitter account that appeared to hit out at India over Kashmir … They also referred to Indian people as [redacted].”

Top Posts From AJBlogs 09.26.16

Thinking and speaking
Most of us have been admonished from an early age to ‘think before you speak.’ But it turns out that speaking doesn’t work that way. … read more
AJBlog: The Artful Manager Published 2016-09-26

More inspiration from DePauw
Only one event at the seminal 21CMposium at DePauw University was in standard conference format — a panel discussion. That was deliberate, and was one reason the symposium was so powerful. … read more
AJBlog: Sandow Published 2016-09-26

Boundaries
A recent discussion with my friend Robert Carl has me pondering the ways we think of epochs in art. … read more
AJBlog: Infinite Curves Published 2016-09-26

African roots, Middle Eastern extensions in Hyde Park Jazz Fest
The two-day fest in the neighborhood soon to host Barack Obama’s presidential library focused on local performers familiar to Chicago’s south side audiences … read more
AJBlog: Jazz Beyond Jazz Published 2016-09-26

Mike Zito: Keep Coming Back
After sideman work, then membership in cooperative groups with Cyrille Neville, Devon Allman and others, in 2012 the St. Louis blues guitarist and singer Mike Zito formed his band, The Wheel. Few dedicated jazz listeners … read more
AJBlog: RiffTides Published 2016-09-26

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There’s No Need To Fret About Today’s Decline In ‘Proper’ Punctuation

“Punctuation started out as free and easy prosodic units, meant to help the reader read out loud to an audience with all the requisite intonation, tone, pitch and pauses intended by an absent author. … With the more speech-like IM, texts, tweets, punctuation is just getting back to its roots, as a way to convey prosodic and speech cues in the absence of sound and vision.”