“The initiative of the nonprofit New Orleans Airlift started back in 2011, and its assemblage of musical architecture, in which every structure is a playable instrument, has evolved into a large-scale experiment in reuse and collaboration. A cacophonous water tower, sonic telephone box, and shack of chimes are a few of the structures [musicians can play].”
Author: Matthew Westphal
Top Posts From AJBlogs 09.29.16
“Art Is Good?” Not Much Of An Argument For Art Is It?
I suggested in a post this week that, based on the lack of any arts business before the 114th US Congress, that it appears that lobbying for the arts seems to be failing. … read more
AJBlog: diacritical | Douglas McLennan Published 2016-09-29
Tech Crash at Metropolitan Museum: “Digital Underground” Buried?
While I’ve been distracted from blogging by mainstream-media assignments, I’ve been itching to weigh in on several important museum developments. Let’s start with Metropolitan Museum President Daniel Weiss‘ tough-love strategies … read more
AJBlog: CultureGrrl Published 2016-09-29
Not so good planning
Let’s agree, first, on one thing. A gala that opens a symphony orchestra’s season should feel like a gala. Should be fun and lively, with some glamour and glitz. But to create a gala like that, you have to do some planning. … read more
AJBlog: Sandow Published 2016-09-29
Mysterious Beauty
Pam Tanowitz Dance kicks off “NY Quadrille,” a two-week season masterminded by Lar Lubovitch. … read more
AJBlog: Dancebeat Published 2016-09-29
Hands and Brains
Unless orchestras change, ‘diversifying the stage’ means that orchestras will have more Black and Latino bodies, but not necessarily Black and Latino minds. … read more
AJBlog: SongWorking Published 2016-09-29
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Finally, We’re Beginning To Understand Time
“We’ve made little progress since Einstein – until now. Some theorists, in their frustration, revert to Augustine’s deduction: that the flow of time is an illusion. Although this conclusion doesn’t fall within the realm of science (how could you falsify it?), it provides a convenient excuse for ignoring the most salient aspects of time, the flow and the now, the aspects that are at the heart of human experience. Now, in the early 21st century, it is time once again to examine the meaning of time.” Physicist Richard A. Muller explains why.
This Man Writes Music For Cats – Music They Actually Like
“‘The first place I started from was the perspective that emotions exist to try to get us to do what would provide for the species,’ [David Teie] says. ‘They are a way of getting humans and mammals to adjust behaviors toward behaviors that would be good for species.’ Then Teie put himself in the feline’s shoes, trying to imagine what cats in their cradles want to imagine.” (sound clips included, of course)
The Jewish-American Accent Fascinates Linguists
“But is really a religious or ethnic thing? Can we call it a ‘Jewish accent’ rather than, say, a ‘New York accent’? Scholars say, yes, there is an American Jewish accent, but it’s complicated.”
Flemish Old-Master Canvas Found Dumped In Storeroom
“The piece is a rare preparatory oil study for one of [Jacob] Jordaens’ best known works, Atalanta & Meleager, which hangs in the Prado Museum in Madrid.” The painting, now estimated to be worth up to £3 million, had been abandoned in a storeroom at the Swansea Museum in Wales.”
Neighbors To Tate Modern: Your Visitors Are Peeping Into Our Apartments; Tate Director To Neighbors: So Buy Some Damn Curtains
Nicholas Serota: “I need to repeat the fact that clearly people purchasing those flats were in no doubt that Tate Modern was going to build its new Switch House building and the character and uses of that building were widely known. People purchased with their eyes wide open.”
Rolling Stone’s 100 Greatest TV Shows Of All Time
“We undertook a major poll – actors, writers, producers, critics, showrunners. Legends like Carl Reiner and Garry Marshall, who sent us his ballot shortly before his death this summer. All shows from all eras were eligible.” Even so, there seem to have been some unspoken limits: the shows chosen are all in English and almost all from the U.S.; there’s only one Masterpiece series (you know which one, so no Upstairs Downstairs, Prime Suspect or Sherlock), no news or documentary shows, and some strange choices and omissions. (Beavis and Butt-Head and not Bugs Bunny or Bullwinkle? Really??)
How Julie Kent Plans To Reshape Washington Ballet
Her predecessor, Septime Webre, “stamped the Washington Ballet as a showcase of youthful punch and audience-friendly showmanship. … [Kent] She aims to groom the Washington Ballet in the more refined, elegant language of the classics and first-rate contemporary works.”
How Do You Make Emergency Drills Less Annoying? Turn Them Into Choreography
“Emergency evacuation drills, though necessary, are a pain: they seem to always happen when we least expect it and interrupt us when we’re at our most productive. At SIGNAL gallery, the procedure becomes a delight, with artist Madeline Hollander transforming what we’ve all rehearsed with irritation into a mesmerizing performance.”