‘Laughter Is Possible Laughter Is Possible’ – The Talent And Torment Of Shirley Jackson

“Here’s how not to be taken seriously as a woman writer: Use demons and ghosts and other gothic paraphernalia in your fiction. Describe yourself publicly as ‘a practicing amateur witch’ and boast about the hexes you have placed on prominent publishers. Contribute comic essays to women’s magazines about your hectic life as a housewife and mother.”

Theatre Festival Bars Audience From Play; Audience Shows Up Anyway And Demands, Politely, To Be Let In

“Hours before the performance Sunday night, the MESS festival announced it would allow only the festival jury to see “Our Violence and Your Violence” by Croatian director Oliver Frljić, an award-winning director whose provocative plays often criticize nationalism and spark protests. The play, which has a fairly abstract plot, contains scenes of nudity and rape.” But the ticketholders weren’t having it.

Top Posts From AJBlogs 10.11.16

Keep It Simple
In speeches, presentations, and workshops, I frequently get to the Q&A session and find myself faced with not a few perplexed expressions. In general, people understand the importance of community engagement. However, staff members … read more
AJBlog: Engaging Matters Published 2016-10-11

Picasso and the Perfectly Bearable Likeness of Being
Picasso was, of course, a great and natural draughtsman. Even as a child he had a fluent and steady line, and was capable … read more
AJBlog: Plain English Published 2016-10-11

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A Daisy Chain Of The 82 Funniest Books

“With the publication this month of Today Will Be Different, Maria Semple’s follow-up to Where’d You Go, Bernadette, we got to wondering: What’s the funniest book by a living writer? Well, who better to ask than Maria Semple? The Seattle-based novelist told us her three favorite funny books, so then we asked those three authors. Then we kept asking.”

Portland Art Museum To Expand, Get Access To Rare Rothko Works

“The Portland Art Museum announced today that it will expand, connecting the museum’s two freestanding buildings, and that it will begin a 20-year art lending partnership with Mark Rothko’s children, Christopher and Kate. The partnership will allow the museum to exhibit important Rothko paintings from his children’s private collection on a rotating basis.”

Richard III = Donald Trump? Brush Up Your Shakespeare

“[Richard’s] success in obtaining the crown depended on a fatal conjunction of diverse but equally self-destructive responses from those around him. The play locates these responses in particular characters … but it also manages to suggest that these characters sketch a whole country’s collective failure.” Stephen Greenblatt, general editor of The Norton Shakespeare, lays out the parallels – not so much between the monarch and the mogul as between Richard’s England and Trump’s America.