Want To Reach New Audiences For Your Contemporary Dance? Stop Using Arty, Abstruse Titles

Lyndsey Winship, citing such examples as Siobhan Davies’s’ material/rearranged/to/be and Sidi Larbi Cherkaoui’s Babel(words) and m¡longa: “It’s the choreographer’s prerogative, of course, but in an art form that already feels distant and unreadable to some audiences, being wilfully abstruse in your labelling doesn’t exactly help. … It can feel as though artists are attempting to prove their cleverness and exclusivity when jargon actually functions as a barrier rather than an invitation.”

Bolshoi Prima Ballerina On How It Feels To Dance The Dual Lead In ‘Swan Lake’

Svetlana Zakharova: “This ballet is so difficult, not just technically, but also on an emotional level. It’s so complex. You need to be 100 percent sure that you have the full technique, that you will be interesting to the audience, that during the White Adagio, people won’t be able to tear their eyes away from you.” (includes video)

One Of Broadway’s Oldest Surviving Theaters Is Now Its Youngest

“When the Hudson Theater reopens on Saturday, Feb. 11 – with Jake Gyllenhaal adding star power to the revival of Sunday in the Park With George – it becomes Broadway’s 41st and newest playhouse, 114 years after it became one of Broadway’s first. (It opened with a production of Cousin Kate starring Ethel Barrymore.)” Erik Piepenburg offers a history of the house, with photos.