Paris’s Opéra Comique Reopens After 21-Month Renovation

With a production of Marin Marais’s 1706 opera Alcione conducted by Jordi Savall, the historic house where Bizet’s Carmen and Debussy’s Pelléas et Mélisande had their premieres is back with all its Belle Époque splendor renewed. Among the restorers’ proudest achievements is recreating the auditorium’s unique shade of red, somewhere between coral and brick. (slide show with text in French; Google Translate version here)

The Entertainment Presidency

Regardless of how much or little he got done in terms of governance in his first 100 days, argues Rosie Gray, “Trump has had a profound effect on an American political culture already heavily weighted toward entertainment. The battles in the White House play out on cable news, the palace intrigue akin to a season of The Real World. Who will win this round – Steve Bannon or Jared Kushner? Gary Cohn or Peter Navarro? Trump himself views the world through the prism of media coverage, is obsessed with cable news, and acts accordingly.”

How Did Wendy Whelan Open Up Body For Non-Ballet Movement? She Threw Away Her Leotards

“The minute I got myself out of leotards, my body opened up: I didn’t feel so strict and tight and bound. I never expected you could change so much from the outside-in.” The former New York City Ballet star talks to Jennifer Stahl about the post-classical career she’s been building for herself and about the hip replacement she got in late 2015.

Al Roker Tells The Entire Internet He Fell Asleep At The Met, And The Opera Crowd Comes After Him

The preternaturally cheerful weatherman for NBC’s Today Show posted to Instagram a photo of him napping during intermission at Der Rosenkavalier and confessed that he’d dozed during the performance as well. (Hey, the guy gets up at 4 a.m. every workday.) “Some opera fans and singers … saw it as a public slap in the face. Quite a few took to Instagram to criticize Mr. Roker for what they saw as rudeness.” (One soprano on the Met’s roster was downright vicious.)

Washington National Opera’s Executive Director Steps Down

“[Michael] Mael took over his current role at WNO in 2011 after three years as chief financial and chief operating officer with the company. A calm and affable presence in a turbulent field, he presided over a return to stability after the Kennedy Center, in 2011, took over the company, which appeared headed for bankruptcy. For the past four seasons, WNO has boasted balanced budgets, after a long history of losses.”