Telluride Film Festival Was Trying Hard To Make Itself COVID-Safe. Here’s Why It Was Just Canceled Anyway

The September festival happens in a small, relatively isolated town, and management had planned a new reservation system, distanced seating, more outdoor venues; they’d even sourced a big supply of 15-minute coronavirus tests. “Our audiences go along with what the rules are,” executive director Julie Huntsinger said, “and we thought we could have great compliance.” Here she tells a reporter when and how she realized that wouldn’t be enough. – Variety

$550 Million In Losses And Expenses, Finds Report On COVID-19’s Effect On New York City’s Nonprofit Arts Sector

Among the major data points: “Ninety-five percent of organizations canceled programs, 88% modified delivery of their programs, and as of May 8th, 11% were not providing products or services to their communities. Small organizations with budgets under $250,000 have been hardest hit. … 11% of organizations indicated that they do not think they will survive the COVID-19 crisis.” – SMU Data Arts

Audiences Are Feeling Even More Reluctant To Come Back Than They Were Three Months Ago

“As coronavirus numbers continue to rise in most U.S. states, the willingness of theatre patrons to return to their old theatregoing habits has plummeted, two tracking surveys show. … The earliest date most theatregoers say they’d be comfortable returning, according to [one] report? May or June of 2021.” – American Theatre

Grant Imahara, Co-Host Of TV’s ‘Mythbusters’, Dead At 49

“For more than 200 episodes, Mr. Imahara, lovingly referred to as the ‘geek’ of the show’s build team” — he had been an engineer at Industrial Light & Magic and Lucasfilm — “wowed audiences by bringing tech to life through his ability to design and operate complex robotics that helped test myths in subjects ranging from skydiving to driving stunt cars to firing guns.” – The Washington Post

Maybe The People Who Signed The Harper’s Letter Have Forgotten About The Real Danger To Free Speech

Tom Scocca: “The promoters of the letter cast themselves as persecuted heroes, putting their names on the line to defend an embattled conception of liberty. The people putting themselves in front of police lines have a more expansive vision of what freedom means, and what risks they’re prepared to take for it.” – Slate