Mosul’s Great University Library, Left A Charred Ruin By ISIS

As if it weren’t bad enough that the terrorist group torched rare old books and manuscripts in the municipal library while they occupied the city, as ISIS was being driven out of Mosul by Iraqi government forces, it burned down the university’s library building and its entire collection, one of the most important in the Middle East. Robin Wright visits the wreckage.

Violinist Paul Zukofsky Dead At 73

“[He] specialised particularly in the performance of 20th-century repertoire, working with such composers as Milton Babbitt, John Cage, Elliott Carter, George Crumb, Morton Feldman, Philip Glass, [etc.] … He premiered Glass’s Violin Concerto in 1987 and was the dedicatee of John Cage’s Freeman Etudes – Books I and II, composed between 1977 and 1980.”

Top Posts From AJBlogs 06.14.17

Metropolitan Museum as Renegade: Reorganization Defies AAMD’s Professional Standards
The Metropolitan Museum has become a renegade. Its decision to rejigger its organizational chart — elevating the finance-oriented CEO (now President Daniel Weiss) above its (as yet unnamed) new art-centric director — runs contrary to common wisdom about … read more
AJBlog: CultureGrrl Published 2017-06-14

The More Things Change…(Or Do They?)
The following post appeared on Rifftides eleven years ago this spring. What thoughts does it stimulate in readers now? Have there been significant changes in jazz since 2008? … read more
AJBlog: RiffTides Published 2017-06-14

 

A Peek Inside James Baldwin’s (Very Large) FBI File

For instance, “this secret FBI summary made the mistake of treating variations on Baldwin’s name and identity” – variations such as “James Arthur Baldwin” and “Jimmy Baldwin” – “as a set of potentially criminal pseudonyms.” Then there’s J. Edgar Hoover writing, in a note at the bottom of a memo, “Isn’t Baldwin a well known pervert?” (Well, look who’s asking.)

How Mr. Bean Nailed The Behavior Of American Museum Audiences

“If the movie Bean has taught us anything (and what hasn’t it taught us really?), it’s that American museums and the museum-going public will line up, go out of its way, to view something spectacular, whether there’s much in the way of educational value.” Noah Charney (who cops to similar behavior himself) talks with some curators about “what you as a curator do when the material in your collection is more interesting than spectacular.”

‘Cultural Appropriation’ Is A Bogus Concept

Kenan Malik (a non-white writer, if you were wondering): “Appropriation suggests theft, and a process analogous to the seizure of land or artifacts. In the case of culture, however, what is called appropriation is not theft but messy interaction. Writers and artists necessarily engage with the experiences of others. Nobody owns a culture, but everyone inhabits one. … [And] who does the policing?”