How A Nobody From A Northern English Industrial Town Became A Star At The Mariinsky Ballet

“When Xander Parish was offered a job at the Mariinsky Ballet he thought it was a joke. And wouldn’t you? Audiences had barely registered the existence of this young English dancer, languishing in the Royal Ballet’s lower ranks, when Yuri Fateyev, the Mariinsky’s artistic director, suggested that he join the elite St Petersburg company, once home to Nijinsky, Nureyev and Baryshnikov. That was seven years ago, and even now Parish can’t quite believe his luck.”

Top Posts From AJBlogs 06.29.17

Interview with Ceri Dingle, director of Every Cook Can Govern: The Life, Impact and Works of C.L.R. James
My column for June 28, 2017 at Inside Higher Ed     The word went around a few years ago that someone in England was working on a documentary about the West Indian historian, revolutionary political theorist and pan-African eminence C. L. R. James (1901-1989). … read more
AJBlog: Quick Study Published 2017-06-29

French Band Air at the Greek Theatre
For reasons I can’t entirely figure out or explain, continental Europeans have not had much luck with rock music, not matter how you define the term. (And no, the Scorpions are not excepted.) … read more
AJBlog: CultureCrash Published 2017-06-29

Great new jazz photography: Geri Allen by Sánta István Csaba
Pianist-composer Geri Allen, at age 60 a cancer victim, was photographed several times recently by Sánta István Csaba. He caught glimpses of her spirit and mourns her deeply. … read more
AJBlog: Jazz Beyond Jazz Published 2017-06-29

The chords that bind
There will be times when you feel an overpowering, almost physical urge to listen to a specific piece of it. Such a feeling came over me last night: I felt that if I couldn’t listen to the first movement of Charles Ives’ Third Symphony right away, I would be reduced to abject despair. … read more
AJBlog: About Last Night Published 2017-06-29

 

Ernest Hemingway, Chatty Sensualist

Adam Gopnik looks at Papa’s biography, writing style, and (yes) kinks, and finds that, for all the “stoical stance” in his prose and his persona, he had quite a sensual (if not quite hedonistic) side – and, what’s more, “he was naturally garrulous and jocose: indeed, by the time he was a celebrity he was so garrulous and jocose that it shocked people, though he was just being himself.”

The Ballet That Helped Wreck Relations Between The USSR And Mao’s China

In a spirit of solidarity (or so they thought) with Communist rebels in Nationalist China, the Bolshoi developed The Red Poppy in 1927, and it became a huge hit all over the Soviet Union. When Mao and his delegation visited Moscow shortly after the Chinese Revolution, the Bolshoi enthusiastically revived The Red Poppy as a tribute. As writer Eveline Chao explains, the visitors from Beijing were not flattered.

‘Theater Audiences Are A Key Partner In The Work Of A Democracy,’ Says Director Diane Paulus

“The act of showing up is a civic ritual with great power. The ancient Greeks knew this. In their theaters, which seated over 10,000 people, audiences wrestled collectively with stories of utmost importance to the state. … However, I think that audiences’ most important political power stems from a slightly different concept. …”