Actress Elsa Martinelli, 82

“In an acting career that shifted between Europe and Hollywood and peaked in the 1960s, Ms. Martinelli won the Silver Bear for best actress at the 1956 Berlin International Film Festival for the Italian comedy Donatella. Directors she worked for included Orson Welles (The Trial), Roger Vadim (Blood and Roses) and Elio Petri (The 10th Victim).” Yet the role for which she’s best remembered in the U.S. was as the love interest of Kirk Douglas’s character in The Indian Hunter.

Top Posts From AJBlogs 07.10.17

The problem with ranking cities’ cultural vibrancy
Two recent publications derive indices to rank different cities according to their cultural vibrancy … The problem is not with the quality of the data. Many of the raw data series will be of interest. The problem is in the very nature of the exercise.  … read more
AJBlog: For What It’s Worth Published 2017-07-10

Shifting Power in American Orchestras
I have become more worried about what happens when [our students in Play On Philly] leave our “bubble” that is filled with peers, teachers, administrators and board members that truly understand their circumstances and enter a field that is dominated by white supremacy and unconscious bias. … read more
AJBlog: Orchestras Everywhere Published 2017-07-10

How To Create An Art-Lover
While at the Guggenheim Museum yesterday, seeing Visionaries: Creating A Modern Guggenheim, I witnessed an awesome sight – but it wasn’t the art. It was a little girl, still in a stroller, with a sketchbook in hand, … read more
AJBlog: Real Clear Arts Published 2017-07-10

Monday Recommendation: Another Bill Evans Discovery
Bill Evans, Another Time (Resonance)
For years, it was thought that drummer Jack DeJohnette’s only recorded appearance with the Bill Evans trio was at the 1968 Montreux Jazz Festival. Then, in 2013, … read more
AJBlog: RiffTides Published 2017-07-10

 

Turning The Famous Psychology Experiments Of History Into A Theatre Piece

Eric Grode talks to members of the company Improbable about how they put together Opening Skinner’s Box, an adaptation of the controversial book by Lauren Slater about studies such as Stanley Milgram’s infamous experiment with obedience (where subjects were told to administer electric shocks) and Elizabeth Loftus’s work on how memories can be shaped and altered.

The Architecture Of Stages: A History That’s More Like A Spiral Than An Arrow

Joshua Dachs: “What at first looks like evolution – from campfires to hillsides to amphitheatres to courtyards to playhouses and onward into the future – is really the recapitulation of another kind of trajectory, from improvisation to formalization. As each new theatrical practice is improvised by a new culture or by restless, visionary (or hungry) artists using the materials at hand, its successes are repeated; standardized practices emerge, traditions and expectations are established.”