Seattle Opera Faces ‘Yellowface’ Issues Around ‘Madama Butterfly’ Head-On

“In reality, Cio-Cio San is a sex-trafficked 15-year-old Japanese teenager,” says Seattle Opera’s (Japanese-American) media-relations manager. “Why are we so comfortable with that, to the point of romanticizing it and telling the story over and over?” The company is, and has been, examining that question; Jason Victor Serinus reports on how.

Why We Need To Confront Racial Bias In Dance Criticism

Theresa Ruth Howard: “How can you truly comment on what you are seeing when you have no technical knowledge of a specific genre like African or hip hop? Critics who stand on the outside of a culture cannot write about what they do not know. … The black body on stage is never neutral, and the effects of its inherent politicization as it relates to the subconscious cultural ignorance and biases held by critics is seldom addressed.”