Is There Room For The Less-Than-Stellar Performance?

“There’s a residual idea in classical music — actually, in many artistic fields — that we’re supposed to seek perfection: do something as well as it possibly can be done.” But what about the notion “that music is a daily need, and that making music and having it around and getting it out to people is more important than making it perfectly”?

A Lost Original Shakespeare Play Is Real, Arden Declares

“[F]or most of the three centuries since its debut, Double Falsehood; or, the Distrest Lovers has been ridiculed as a hoax or just disregarded. Yesterday that changed when The Arden Shakespeare … published Double Falsehood, endorsing its credentials and making it available in a fully annotated form for the first time in 250 years.”

Signature Theatre Gets New Home, Just Not At Ground Zero

The 42nd Street space still has “three theaters of varying sizes; an open lobby with a cafe and a bookstore; and the prominent [Frank] Gehry as designer.” It’s also “budgeted at a mere $60 million and is actually under construction, in contrast to the planned arts center at the World Trade Center site, which increasingly seems like a pipe dream.”

Tech Worry: Preserving Authors’ Digital Archives

“Electronically produced drafts, correspondence and editorial comments, sweated over by contemporary poets, novelists and nonfiction authors, are ultimately just a series of digits — 0’s and 1’s — written on floppy disks, CDs and hard drives, all of which degrade much faster than old-fashioned acid-free paper.” The technology ages faster, too.

Will Kids Get The Bard Better If They Don’t Have To Sit Still?

“Exercises devised by the Royal Shakespeare Company and the Globe theatre in London will see children aged 11 to 14 mirror the methods of professional actors at rehearsal” instead of reading the plays at their desks. “Written and oral assessments developed alongside the lessons will show how well students have understood the texts.”