Pompidou’s Men Go Into Storage, Women Go On The Walls

“Imagine a museum that boasts the largest collection of modern and contemporary art in Europe. Now imagine that an intrepid female curator puts all the men’s work in storage and fills the permanent collection galleries with a new version of 20th and early 21st century art history, the one that women created.” That’s what’s happening in the Centre Pompidou exhibition, “elles@centrepompidou,” opening Wednesday.

The Reason The Art In Summer Hours Looks Real: It Is

“Summer Hours,” a French film starring Juliette Binoche, “tells the story of a family-owned art collection that must be sold off after the elderly matriarch passes away. In a rare close collaboration between a filmmaker and an art institution, director Olivier Assayas and his crew partnered with the Musée d’Orsay in Paris and several private collectors to locate works ranging from 19th century Barbizon school paintings to rare 20th century furniture.”

In Brussels’ Magritte Museum, Nothing Is Quite As It Seems

“Too bad for Rene Magritte, his museum really is a museum. As of Wednesday, the 20th century surrealist who famously painted a pipe with the comment ‘this is not a pipe’ finally has his own temple, in the heart of his home city of Brussels. But, like the artist himself, the ultra-classic museum front gives away little of the tricks that lie inside.”