Friedeberger was inspired by his time as a European refugee in Australia during WWII. “Whereas many abstract painters of the 60s were working on a large scale with fields of unmodulated colour that emphasised the flatness of the surface of the painting, Friedeberger eventually eschewed colour altogether. Working unfashionably on an easel, he made small, modest monochromatic paintings of abstracted forms that advanced, receded or hovered in space within the confines of a square canvas, never quite abandoning the illusion of pictorial space.” – The Guardian (UK)