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How Much Of Art Conservators’ Work Should Be Visible?

The question arose (again) with the $450 million sale of da Vinci’s Salvator Mundi after former Met Museum director Thomas Campbell posted an image of the painting pre-conservation on Instagram. Ben Luke looks at the issues – and at four Old Master paintings said to have suffered conservation “indignities” in the past.

Author Matthew WestphalPosted on March 16, 2018Categories visualTags 03.15.18

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This is the archive site for ArtsJournal.com, founded September 13, 1999. Read more about these archives. Read more about ArtsJournal.comĀ  You can also browse the archives chronologically by month (below) or starting here.

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