Why Do Adults Reread Our Childhood Classics – And What Do We Learn About Ourselves When We Do?

It’s familiarity, true: “There is an allure to the repetition of rereading, submitting to the rhythms of a narrative, place, and characters you know well, and the familiar emotions they evoke. Rereading also has a different pace. I tear through a book on the first read, to find out what happens next, but rereading feels mellower and more leisurely, even while relearning the parts I’ve forgotten.” But then, there’s the discovery of racism, sexism, classism, homophobia – basically, there’s the risk of understanding the suck fairy.

A Broadway Show Actor Commits Suicide Six Days After A Brutal Meeting With The Director, And The Cast Is Reeling

“However complex the causes of Mr. Loeffelholz’s death may be, widespread discussion of his final rehearsal has brought new attention to the way theatrical creative teams wield power in an era of increasing concern about how managers treat subordinates in the workplace.” In other words, there’s a lot – a lot – of bullying on Broadway.

Grammar Purists Are Running A Ridiculous (And Classist, Racist, Etc.) Ponzi Scheme On The English Language

What’s ‘standard’ English? What’s ‘colloquial’? Why is one right or wrong? “There is no official source of grammar prohibitions. For the English language, no one has the authority to lay down laws. Rules exist. It is possible to speak or write ungrammatically. It’s possible to be ‘wrong.’ But right and wrong derive from a far more powerful, albeit hard-to-pin-down source: us.”

A University Museum Says It Has Solved A Decades-Old Mystery Of Who Painted One Of Its Popular, 1720s-Era Portraits

The unsigned painting of a woman wearing an outfit with a plunging neckline has been a favorite at the Spencer Museum of Art on the University of Kansas campus for decades. “Over the years, it’s been attributed to a few different artists — first, William Hoare, and then, sometime before the 1980s, to Highmore. But museum curators had never been 100 percent sure of the 1720s-era painting’s true origin, until now.”

A City-Defining Mystery Series Comes To An End

Naomi Hirahira, who is “a one-woman Japanese American history project,” is best known for a seven-book crime novel series. “She has also authored several nonfiction titles on Southern California Japanese-American history. Her newest Mas Arai mystery title and the final one of the series, Hiroshima Boy, was just published by Prospect Park Books in March 2018, and in April her latest nonfiction title, Life After Manzanar, was published by Heyday.” In this article, she takes a LARB reporter on a literary walking and driving tour of Los Angeles.