The Field Museum Is Moving, And Replacing, Sue The T-Rex

The process is intense – and lengthy. “Sue is making way for a replica skeleton of a new dinosaur, the largest-ever-found Patagotitan mayorum, to take occupancy of the central hall. Over the course of February, the tyrannosaur will be deconstructed, spirited upstairs to its new home in the museum’s former 3-D theater on the second floor and then remounted in place for an unveiling in early 2019.”

With Podcasts, Intimacy Is A One-Way Street

Says one of the hosts of a popular NPR roundtable podcast: “No wonder you feel as if you know them; that the sound of their voices comes to fire precisely the same neurons, arouse the same feelings, that the voices of your closest friends do. It’s purely biological, and it’s indistinguishable from intimacy — except for one minor, mundane, trifling detail: It’s unidirectional. You know them, you trust them, you love them, and they have absolutely no idea who you are.”

Why Are Top Arts Positions In Canada Going To Anyone But Canadians?

Canadian arts consultants are worried. “Especially in Ontario, where the largest of these organizations are located, the top job often goes to an international candidate. [British-born Julian] Cox was hired by AGO director Stephan Jost, a Swiss-American who joined the museum in 2016. Meanwhile, the Royal Ontario Museum, Luminato, the McMichael Canadian Art Collection and the Shaw Festival have all hired British or American leaders in the past 2 1/2 years. It’s a pattern that has arts consultants worried.”

Top AJBlogs Posts From The Weekend Of 02.04.18

Another Cheap Shot at Wagner
Was Richard Wagner a “monster”? No so far as I can tell. Here’s my book review of Simon Callow’s opportunistic “Being Wagner” in this weekend’s “Wall Street Journal”: In 1866, a Munich newspaper reported that … read more
AJBlog: Unanswered QuestionPublished 2018-02-03

Recent Listening In Brief: James Hall
As I may have mentioned no more than a hundred times, it is impossible to keep up with the flow of new albums that keep coming even as we continue to hear … read more
AJBlog: RiffTidesPublished 2018-02-03

James P. Johnson And “Carolina Shout”
Today, February 2, is the birthday of James P. Johnson (1894-1955), who developed stride piano as an art form within an art form. In his time, piano cutting contests were proving grounds—most … read more
AJBlog: RiffTidesPublished 2018-02-02

Almanac: Anthony Powell on vanity
“Self-love seems so often unrequited.” Anthony Powell, The Acceptance World… read more
AJBlog: About Last NightPublished 2018-02-02

They can do better
“Welcome,” says the Philadelphia Orchestra, “to a season of incomparable reach and breadth.” That’s in a press release they emailed, announcing what they’re doing next season. So, really…incomparable? So good that it can’t be compared … read more
AJBlog: SandowPublished 2018-02-01

Artist Dora De Larios, RIP
UNDERSUNG but widely respected, the sculptor Dora De Larios has been working in around Los Angeles for six decades now. I was pleased to be asked to write about her for Los Angeles magazine, … read more
AJBlog: CultureCrashPublished 2018-02-01

This Woman Wrote A Book That Seems To Be A Roman À Clef About An Affair With Philip Roth

Lisa Halliday won the Whiting Award for her first novel, in which an editorial assistant meets a famous writer on a bench. The writer is pretty clearly modeled on Roth. “The likeness is no accident. Ms. Halliday, 41, and Mr. Roth, 84, are good friends. And for a time, when she was in her 20s and working at the Wylie Agency, which represents him, they had a romantic relationship.” (Should any of this matter in the reception of the book?)

The Union Representing A Fired Director – And The Chorister Who Reported The Director – Says The Met Acted Too Swiftly

A Met official disagrees with the union (American Guild of Musical Artists), which asserted that a written apology and a rehearsal change would have been enough. The Met official said “that while the chorister had indicated that he would accept a written apology, he had also communicated to Met officials that he did not want to see Mr. Copley either in the underground rehearsal rooms or on its stage, and threatened to consult a lawyer if he did.”