When You’re A Woman, Directing Work Dries Up After One Flop

Mimi Leder: “I excel in television. I’ve directed nine pilots and six of them went to air, so my television career was flourishing, but I couldn’t get arrested in features. Saying this sounds like sour grapes, but it isn’t: It’s very different for women filmmakers than it is for male filmmakers. And the film business itself changed dramatically. They just wanted to make tent poles.”

One Way To Get More Diversity On TV Is To Keep On Asking For It

Lucy Liu, Watson on the show ‘Elementary,’ said, “The one thing I’ve learned, and I think everyone can take this away with them, is that a closed mouth doesn’t get fed. … So open your mouth. If somebody says no to you, that’s fine. You’re going to hear no a lot in your life, and that’s just what it is. And somebody’s gonna say yes sometime. So you always have to ask the question.”

The Writer Who Uses ‘Pscyhogeography’ To Root Her Multimedia Narratives

Karrie Higgins: “When I first started writing ‘forensically,’ I thought forensic science was going to be THE way for me to understand the world and convey what was happening inside my head. This constant push-pull and intense desire to expose reasonable doubt—a kind of confidence in doubt as the only viable narrative. When I got to Utah and started embracing the more magical elements of Mormonism, I started to think differently about forensics.”